UMK: Lives and Landscapes, 2014
Not Here, Not Now, 2014
The School of Constructed Realities, 2014
Speculative Everything: Design, Fiction, and Social Dreaming, 2013
United Micro Kingdoms, 2012/13
What if... Beijing International Design Triennial, 2011
St Etienne Design Biennale, 2010
Between Reality and the Impossible, 2010
Wellcome Windows, 2010
EPSRC IMPACT! Exhibition, 2010
Designs for an Overpopulated Planet: Foragers, 2009
What If..., 2009
After Life Euthanasia Device, 2009
Work in progress, 2009
Do you want to replace the existing normal? 2007/08
Technological Dreams Series: No.1, Robots, 2007
Spymaker, 2006/07
Evidence Dolls, 2005
Designs for Fragile Personalities in Anxious Times, 2004/05
Is This Your Future? 2004
BioLand, 2002/03
Placebo Project, 2001
Park Interactives, 2000
MSET, 2000/01
Project #26765: Flirt, 1998-00
Weeds, Aliens and Other Stories, 1994-98
Hertzian Tales, 1994-97
Do you want to replace the existing normal? 2007/08
Statistical Clock
S.O.C.D
Risk Watch
Alignment
Dunne & Raby / Michael Anastassiades

Design can only follow our needs and desires, it can't create them. If our desires remain unimaginative and practical, then that is what design will be. In this project we are hoping for a time when we will have more complex and subtle everyday needs than we do today. These objects are designed in anticipation of that time. Patiently waiting. Maybe they are utopian.

1. The Statistical Clock checks the BBC website for technologically mediated fatalities: car, train, plane, etc, and pulls them into a database. Each technology has its own channel. The clock checks it every minute or so, and each time it finds a new one it speaks it out loud... 1, 2, 3, etc.

2. S.O.C.D (Sexual Obsessive Compulsive Disorder) is for people who enjoy porn but feel a bit guilty watching it, or think that it's wrong. You put a DVD into the black box and hold onto the rubber part of the object which is shiny and soft, a bit like a dildo. The metal bands sense your level of arousal and pixelate the image accordingly in real time. The more aroused you become, the bigger the pixel size, and the more distorted the sound gets. If you let go the film goes blank. To enjoy your video, you need to hold on but try to de-arouse yourself.

3. The Risk Watch speaks a number when you place it to your ear, the rubber nipple deflects and activates a specially built device inside. The number corresponds to the political stability of the country you are in at that time.

4. Alignment: A small pressure gauge indicates that it is operational. It could go off at any moment. When the planets are in the appropriate configuration, the airbag is filled. An explosion of pinkness. It takes seconds, like an airbag in a car crash. Voluminous. Fantastic. A triclinic crystal: a form without 90 degree angles. Perhaps no one sees it, only the aftermath. A landscape of shocking florescent pink rip-stop fabric in sharp fractal forms, strewn across the living room floor. When the owner returns home, they decide what it means and what to do. It's a sign. It could be about love, money, or career.

Electronics: Chris Hand, Erik Kearney
Software: David Muth
Pneumatics/inflatables: Nick Williamson
Pattern design/cutting: David England
Seamstress: Anja Huttunen
Computer Modelling: Graeme Findlay
Model making: Berry Place
Specialist Carpentry: Ben Legg

Photography: Francis Ware
Thanks to: Alice Wang, Gunnar Green

Partly funded by the Arts Council England

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